Results for 'Hamlet A. Gevorkian'

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  1.  70
    The Encounter of Cultures and the Philosophy of History.Hamlet A. Gevorkian - 2001 - The Proceedings of the Twentieth World Congress of Philosophy 12:147-156.
    A general problem of philosophy concerns the possibility of objective knowledge of other cultures (including past cultures), and the adequacy of their reconstruction. The problem of cultural development is also crucial. In this paper, I argue that a culture which has expanded its potentialities in various independent forms is an open culture capable of entering into dialogue with other cultures.
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  2.  44
    Nietzsche and Metaphysical Pessimism.A. R. Gevorkian - 2002 - Russian Studies in Philosophy 41 (3):82-96.
    'The world is tragically splendid in its fragmentedness. Its harmony lies in its disharmony, its unity in its enmity. Such is the paradoxical doctrine of Heraclitus, subsequently paradoxically developed by Friedrich Nietzsche into the theory of 'tragic optimism."'.
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  3. Pessimism and Religion.A. R. Gevorkian - 2008 - Russian Studies in Philosophy 46 (4):32-44.
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  4. Filosofskie voprosy sovremennogo estestvoznanii︠a︡.Gamlet Ambakumovich Gevorkian & P'ilisop'ayowt'yan Ew Iravownk'I. Institowt (eds.) - 1977 - Erevan: Izd-vo AN Armi︠a︡nskoĭ SSR.
     
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  5.  8
    A verdade e o bonito.Hamlet S. Mikaelian & Araksia Tigran Mkrtchyan - 2024 - Prometeica - Revista De Filosofía Y Ciencias 31:84-94.
    O artigo examina o problema de identificar a verdade e a beleza em teorias axiomáticas significativas e a formação desses valores no processo de ensino de certas seções de um curso de matemática de uma escola de educação geral com os traços característicos de teorias axiomáticas significativas. critérios de beleza científica ou matemática são considerados um fator na formação e identificação da verdade e da beleza. Tais critérios foram introduzidos pelo filósofo escocês Hutcheson no século XVIII e por seus muitos (...)
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  6. Hamlet: Conversations with the Dead'.A. D. Nuttall - 1989 - In Nuttall A. D., Proceedings of the British Academy, Volume 74: 1988. pp. 53-69.
     
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  7.  12
    Beyond Hamlet and Hecuba: Irruption and Play in Carl Schmitt's Thought.A. Mossa - 2016 - Telos: Critical Theory of the Contemporary 2016 (175):68-84.
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  8. On seeing "Hamlet" (poem).Derek A. Mcdougall - 1966 - Hibbert Journal 65 (57):78.
     
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  9.  27
    Disinheriting the Globe: On Hamlet's Fate.Paul A. Kottman - 2009 - Revue Internationale de Philosophie 247 (1):7-40.
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  10.  32
    William F. Hansen, Saxo Grammaticus and the Life of Hamlet: A Translation, History, and Commentary, Lincoln and London: University of Nebraska Press, 1983. Pp. xiv, 202; 4 plates. $17.95. [REVIEW]Joaquin Martinez-Pizarro - 1984 - Speculum 59 (2):475-476.
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  11.  17
    Cosmogonic or creation myths A mythical, philosophical and theological interpretation of the diverse cosmogonic myths: In conversation with Charles Long.Johan A. Van Rooyen - 2020 - HTS Theological Studies 76 (1).
    Cosmogonic myths, also referred to as creation myths, are theological and philosophical explanations of ancient myths of creation within a religious Homo sapien hamlet. In the context of this article, the word myth is attributed to the extravagant quixotic interpretation in anecdote of what is accomplished or ceased as a key or essential phenomenon. The terms or language concepts of cosmogonic or creation invoke the start of things, whether by the desire and action of a surpass Actuality, by emergence (...)
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  12.  28
    The Lonely Debate: Dilemmas from Hamlet to Hans Castorp. [REVIEW]H. A. L. - 1938 - Journal of Philosophy 35 (13):363-363.
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  13.  39
    The Readiness Was All: Ian Charleson and Richard Eyre's Hamlet.Richard A. Davison - 2008 - The European Legacy 13 (3):325-335.
    This is an account of Ian Charleson's extraordinary performance in Richard Eyre's production of Shakespeare's Hamlet. The essay is divided into four parts: the original Hamlet in Eyre's production was Daniel Day-Lewis whose stirring but erratic portrayal strangely terminated in mid-performance; Ian Charleson's rehearsal process, including comments by actors and friends about his talent and courage in preparing for the role; Charleson's brilliant acting, his triumph in overcoming his physical weakness and ravaged appearance as he was dying of (...)
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  14.  18
    A ‘Trivial’ Reading of Hamlet.Miriam Joseph - 1959 - Laval Théologique et Philosophique 15 (2):182.
  15.  17
    World outlook strategy in the modern American novel.A. V. Tatarinov - 2015 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 4 (5):395.
    In the article on material of seventeen texts, the problem of world outlook strategy in the American novel of the 21th century is studied. The most influential author’s models are considered: neodecadence, post-apocalyptic humanity, personal versions of social and psychological realism and existentialist consciousness. The main attention is paid to the description and interpretation of the general for modern American novels of a national picture of the world. The family history remains the stable level of a narration. At other level, (...)
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  16.  7
    Hamlet (Bilingual Edition).William Shakespeare - 2016 - Tehran: Mehrandish Books.
    A Persian translation of William Shakespeare's Hamlet along with the original text.
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  17. Hamlet could never know the peace of a good ending : Benjamin, Derrida, and the melancholy of critical theory.Andrew Cutrofello - 2009 - In Stefano Giacchetti Ludovisi & G. Agostini Saavedra, Nostalgia for a Redeemed Future: Critical Theory. University of Delaware.
  18.  25
    (1 other version)Hamlet or Europe and the end of modern Trauerspiel.Fabrizio Desideri - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (2):117-126.
    Hamlet’s character sets, under different shapes and extents, the benchmark against which a large part of the European philosophy of the very long «short twentieth-century» behind us has had to measure. In the name of Hamlet as the most enigmatic among Shakespeare’s creatures, even Europe, its spirit and destiny, is identified, according to the well-known claim by Paul Valery.Common trait to a big part of these interpretations – from the juvenile works of Pavel Florenskij and Lev S. Vygotskij (...)
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  19.  33
    HamLeT anD THe GHosT: a JoinT sense oF Time.John F. DeCarlo - 2013 - Philosophy and Literature 37 (1):1-19.
    A deconstruction of Hamlet's ontological metaphor—"the time is out of joint"—indicates Shakespeare has made an implicit commitment to a conception of time that is explicitly and systematically developed by Kant's transcendental philosophy. Consequently, a retro reading explains how Hamlet temporarily identifies with the Ghost's temporal-categorical mind-set, and how Hamlet, who has been acutely aware of the passage of time, loses track of time during the prayer/closet scene sequence. More specifically, I assert that Hamlet's identification with the (...)
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  20. " What a piece of work is man": Theatrical Anthropology in Hamlet.Ken Jacobsen - 2012 - Animus 15:47-86.
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  21.  6
    A Hamlet Without The Prince of Denmark.Alexander Erlich - 1973 - Politics and Society 4 (1):35-53.
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  22.  38
    Missing a generation: The rat man and Hamlet.Robert White - 1997 - Angelaki 2 (1):37 – 61.
  23.  19
    The Stamp of Our Times.A. Anastas'ev - 1973 - Russian Studies in Philosophy 11 (4):341-347.
    I think I would not err in saying that Dvoretskii's chronicle of our times, The Man from Outside, is stimulating unusual interest on the part of theater companies and audiences. It has been produced on two Moscow stages, something that is quite rare. It is playing in Leningrad, Kiev, Vilnius, Arkhangelsk, Barnaul, Vladivostok, Volgograd, Kuibyshev, Murmansk, Novokuznetsk, Petrozavodsk, Pskov, Sverdlovsk, Simferopol, Stavropol, and other cities. Judging by the reviews, the play and its productions are successful everywhere. It is as hard (...)
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  24.  38
    Shakespeare as a method. Carl Schmitt’s reading of Othello and Hamlet.Wojciech Engelking - 2019 - History of European Ideas 45 (7):1058-1071.
    ABSTRACTWhile in the 1960s Allan Bloom suggested to read William Shakespeare’s works through the prism of political philosophy, a decade earlier Carl Schmitt used the works of English poet in a reverse way: he read political philosophy and history through Shakespeare. Deprived – under the influence of Leo Strauss – from the possibility of considering Thomas Hobbes a decisionist thinker, Schmitt in his ‘Hamlet or Hecuba’ used Shakespeare’s most famous work to interpret origins of disappearance of the state of (...)
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  25.  26
    Adorno, Hamlet y el factor añadido.Esteban Alejandro Juárez - 2022 - Ideas Y Valores 71:101-117.
    Este artículo tematiza la relevancia del Hamlet, de Shakespeare, para el pensamiento de T. W. Adorno, aun cuando este no haya escrito in extenso sobre aquel. El drama aparece sobre todo en su discurso oral como modelo para describir la relación de discontinuidad entre teoría y práctica. Aquí se desea mostrar cómo el teórico crítico del pensamiento moral abstracto piensa el paso del conocimiento a la praxis a partir del vínculo entre Hamlet y el llamado “factor añadido” (Das (...)
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  26.  14
    Affect Theory, Genre, and the Example of Tragedy: Dreams We Learn.Duncan A. Lucas - 2018 - Cham: Imprint: Palgrave Macmillan.
    Affect Theory, Genre, and the Example of Tragedy employs Silvan Tomkins' Affect-Script theory of human psychology to explore the largely unacknowledged emotions of disgust and shame in tragedy. The book begins with an overview of Tomkins' relationship to both traditional psychoanalysis and theories of human motivation and emotion, before considering tragedy via case studies of Oedipus, Hamlet, and Death of a Salesman. Aligning Affect-Script theory with literary genre studies, this text explores what motivates fictional characters within the closed conditions (...)
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  27.  24
    Leituras alemãs de 'Hamlet', de Goethe a Hegel.Pedro Süssekind - 2020 - Discurso 50 (1).
    O texto busca apresentar a recepção da céle-bre peça de Shakespeare em solo alemão, as-sim como as consequências que essa leitura teve em diferentes momentos do que se con-vencionou chamar de Goethezeit.
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  28.  20
    Transcendence and immanence into or onto creative pluralism in South Africa.Johan A. van Rooyen - 2021 - HTS Theological Studies 77 (4):1-7.
    Two philosophical tools are used in this article, namely that of philosophical-pluralism and transcendent pluralism as a kind of glue to enhance our examining of creative pluralism. There is a diversity implant in positive modus of understanding this pluralistic pristine of creative pluralism within transcendence modus. To help facilitate this pluralistic pristine, the author makes use of three constructivist paradigms that are distinguished and used, namely exogenous constructivism emphasising the reconstruction of structures preformed in the environment; endogenous constructivism emphasising the (...)
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  29.  7
    Schopenhauer, Hamlet, Mephistopheles: Drei Aufsätze zur Naturgeschichte des Pessimismus (Classic Reprint).Friedrich Paulsen - 2017 - Forgotten Books.
    Excerpt from Schopenhauer, Hamlet, Mephistopheles: Drei Aufsatze zur Naturgeschichte des Pessimismus Barmhersigen Siebe, Die Die Seele Des Chriftentums ift, jener Siebe, Die Das Bofe wohl lennt, aber auf Das (ente blicft, Die auch noch in Der Derfommenheit Die menfchliche Seele fieht und fucht; und Dicier mangel an Siebe geht mit Dem mangel an olauben 3ufammen: Die menfchen taugen aus Dem orunde nichts; Darum, feine muhe mit ihnen verlieren! About the Publisher Forgotten Books publishes hundreds of thousands of rare and (...)
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  30.  9
    Social Inequality in a Portuguese Hamlet: Land, Late Marriage, and Bastardy, 1870–1978.Brian Juan O'Neill - 2007 - Cambridge University Press.
    The traditional image of northern Iberian mountain settlements is that they are largely egalitarian, homogeneous, and survivals of archaic forms of 'agrarian collectivism'. In this book, based both on extensive fieldwork and detailed study of local records, Brian Juan O'Neill offers a different perspective, questioning prevailing views on both empirical as well as theoretical and methodological grounds. Through a detailed examination of three major areas of social life - land tenure, cooperative labour exchanges, and marriage and inheritance practices - in (...)
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  31.  4
    Hamlet o Europa y el fin del Trauerspiel moderno.Fabrizio Desideri - 2024 - Boletín de Estética 68:7-29.
    El personaje de Hamlet ha sido un punto de referencia para gran parte de la filosofía europea del siglo XX, representando el espíritu y destino de Europa. Diversos autores, como Pavel Florenskij, Lev S. Vygotskij y Carl Schmitt, han visto en Hamlet la contradicción inherente a una transición epocal no resuelta, caracterizada por el dolor interminable de un interim. Mi artículo explora la posibilidad de interpretar el tiempo de Hamlet bajo esta luz, en relación con las ideas (...)
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  32.  18
    Evolving Hamlet: Seventeenth-Century English Tragedy and the Ethics of Natural Selection.Angus Fletcher - 2011 - Palgrave-Macmillan.
    Where science has often been used to explore the questions raised by art, this book does the reverse, suggesting that art can address a problem raised by science: the deep challenge to ethics posed by Darwin’s discovery that we are intentional beings living in an unintentional world. Using Hamlet, Othello, and Macbeth, among others, Angus Fletcher shows how the physical experience of art can transform Darwin’s discouraging theory into a practice-based ethics that establishes pluralism, curiosity, and cooperation as the (...)
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  33. Indicative versus subjunctive in future conditionals.A. Morton - 2004 - Analysis 64 (4):289-293.
    I give cases where the contrast between "if Shakespeare had not written Hamlet someone else would have" and "if Shakespeare did not write Hamlet and someone else did"is found in future tense sentences. This is often denied.
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  34.  42
    II. Hamlet without the prince of Denmark revisited: Pörn on Kierkegaard and the self.Alastair Hannay - 1985 - Inquiry: An Interdisciplinary Journal of Philosophy 28 (1-4):261-271.
    Ingmar Pörn (Inquiry 27 [1984], nos. 2?3) claims that certain ideas of Kierkegaard's can illuminate a notion of the self articulated in action?theoretical terms. Through a reconstruction of Kierkegaard's concept of despair, couched in these terms, Pörn aims to show how these ideas can contribute to the study of the self. Because he misconstrues an important distinction in Kierkegaard's account of selfhood, Pörn fails to show this. It remains uncertain what use the study of the self would have for Kierkegaard's (...)
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  35.  57
    Hamlet in Purgatory (review).Edward E. Foster - 2001 - Philosophy and Literature 25 (2):364-367.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 364-367 [Access article in PDF] Book Review Hamlet in Purgatory Hamlet in Purgatory, by Stephen Greenblatt; xii & 322 pp. Princeton: Princeton University Press, 2001, $29.95. Hamlet in Purgatory is both more and less than literary criticism of Shakespeare's most haunting and most critically belabored play. Greenblatt has captured an evolving culture of belief which informs the play and goes far (...)
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  36.  91
    Hamlet and Orestes, a Study in Traditional Types. By Gilbert Murray, LL.D., D. Litt. (British Academy Annual Shakespeare Lecture for 1914). Oxford University Press. is. net. [REVIEW]P. M. - 1915 - The Classical Review 29 (06):190-.
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  37. The Maritime Modernity of Hamlet.Yi Wu - 2018 - Coriolis: The Interdisciplinary Journal of Maritime Studies 8 (1):33-49.
    This essay investigates the rôle of the North Atlantic as a silent actant in the dramatic economy of Shakespeare’s Hamlet. It takes the series of actions of Hamlet’s deportation by sea, his nocturnal transformation on board and his surprise return with the pirate ship as the axis around which the play turns. It examines the movement of deterritorialization and mimesis in the constitution of sovereignty by the ceaseless transference of piracy and inter-imperial rivalries and passages. Interpreting Hamlet (...)
     
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  38.  49
    Hamlet, Theoretical Psychology, and "The View from Manywheres".Adelbert H. Jenkins - 2005 - Journal of Theoretical and Philosophical Psychology 25 (2):133-152.
    One of the principal challenges to human survival will be for human beings, embedded in a plurality of cultural contexts, to engage with and learn from one another respectfully in the continuing task of creating a more liveable world. I argue here that theoretical psychology can contribute to setting some of the terms for this effort through the kind of conception it advances of the person as agent. I discuss broadly two philosophical perspectives toward human agency which have become prominent (...)
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  39.  12
    Shakespeare's Hamlet: Philosophical Perspectives.Tzachi Zamir (ed.) - 2018 - Oup Usa.
    This book assembles a team of leading literary scholars and philosophers to probe philosophical questions that assert themselves in Shakespeare's Hamlet, including issues about subjectivity, knowledge, sex, grief, and self-theatricalization.
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  40. Hamlet and the Time of Action.Henry Somers-Hall - 2015 - In Roman Altshuler & Michael J. Sigrist, Time and the Philosophy of Action. New York: Routledge. pp. 272-283.
    In this chapter I want to explore a comment made by the French philosopher Gilles Deleuze that presents a connection between two figures: Kant and Hamlet.1 In his most important early work, Difference and Repetition, Deleuze writes, “the Northern Prince says ‘time is out of joint’. Can it be that the Northern philosopher says the same thing?” (Deleuze 2004, 111). In this chapter, I want to look at the question of drama and see how different conceptions of drama allow (...)
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  41.  73
    Dionysus in the Mirror: Hamlet as Nietzsche's Dionysian Man.Pyles Timothy - 2017 - Philosophy and Literature 41 (1A):128-141.
    The play's the thing,"1 Hamlet says in act 2, scene 2 of Shakespeare's finest tragedy. Hamlet is referring here to the forthcoming performance of The Mousetrap, the play that he has asked the newly arrived players to perform that evening in the presence of his mother and uncle. "The play's the thing," Hamlet says, "Wherein I'll catch the conscience of the King". But it is not confirmation of his uncle's guilt as the murderer of his father that (...)
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  42.  31
    Speaking to the yet unknowing world: Hamlet, Horatio and the problem of imperfect witness.Christine Phillips - 2010 - Medical Humanities 36 (2):97-100.
    Every day doctors bear witness to others about the experiences, needs and feelings of their patients, drawing on what they have learnt from clinical consultations. This paper considers the medical task of bearing honourable and truthful witness through an examination of the role and actions of Horatio in Hamlet. Horatio is simultaneously located among the background machinery of the play, separate from the lives of the protagonists, and in the foreground, where his authoritative witness is repeatedly called upon by (...)
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  43. Hamlet and Mythical Thought.André Lorant - 1982 - Diogenes 30 (118):49-76.
    The survival of some masterpieces of literature across the ages is still an unexplained mystery. Deeply rooted in their time, they reflect the preoccupations of a given historical period and have an impact, by means of their testimony, on future generations. They bring into play images, drives and phantoms which have remained unchanged from prehistoric time to our day. The perfection of their form has remained unequaled; their examples incite us to meditation and creativity.
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  44.  60
    Lacan leest Hamlet tussen fenomenologie en psychoanalyse?Philippe Van Haute - 2007 - Tijdschrift Voor Filosofie 69 (3):535-558.
    In his seminar on 'Desire and its Interpretation' Lacan gives a detailed interpretation of Shakespeare's Hamlet. We present this interpretation as an alternative to the psychobiographic approach which has been dominant in the psychoanalytic tradition. According to Lacan Hamlet is a poetic creation and nothing else. In order to understand it wedon't have to look at the unconscious motives of the author, but at the composition of the text. The deliberate articulation of the signifier accounts for the effect (...)
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  45. Sighs and tears: Biological signals and John Donne's "whining poetry".Michael A. Winkelman - 2009 - Philosophy and Literature 33 (2):pp. 329-344.
    In lieu of an abstract, here is a brief excerpt of the content:Sighs and Tears:Biological Signals and John Donne's "Whining Poetry"Michael A. WinkelmanPhebe: Good shepherd, tell this youth what 'tis to love. Silvius: It is to be all made of sighs and tears...—Shakespeare, As You Like It (5.2.83–84)ISighs and tears permeate John Donne's poetry, as well they should. Crying in particular functions as a costly signal in biological terms: a blatant, physiologically-demanding, involuntary indicator of hurt feelings. "Tears dim mine eyes," (...)
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  46.  44
    “Oh that this too, too Solid Flesh would Melt”: A Phenomenology of Sadness in Shakespeare’s Hamlet.J. Keeping - 2008 - Philosophy Today 52 (2):116-125.
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  47.  69
    The Poisoning of Hamlet’s Temporal Subjectivity.John F. DeCarlo - 2010 - Journal of Philosophy: A Cross-Disciplinary Inquiry 5 (12):30-40.
    The paper addresses the question: why and how does Hamlet lose track of time in the Prayer-Closet scene sequence? While Deleuze aptly notes the poetic formula “the time is out of joint” is indicative of time no longer being subordinate to cyclical rhythms of nature, or as Polonius asserts: “Time is time”(II.ii.88), but rather movement being subordinated to time, it is argued that the HAMLET text goes further in its pre-figuration of Kant’s concept that time is a mysteriously (...)
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  48.  6
    Form and Meaning in Drama. A Study of Six Greek Plays and of Hamlet.Herbert Musurillo & H. D. F. Kitto - 1958 - American Journal of Philology 79 (1):79.
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  49.  89
    Review of A. C. Bradley: Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth[REVIEW]Henry Jones - 1905 - International Journal of Ethics 16 (1):99-105.
  50. THE CONTRADICTORY NATURE OF THE GHOST IN HAMLET.Ali Salami - 2011 - Sarjana 26 (1).
    This article explores the contradictory nature of the ghost in Hamlet and shows how Shakespeare seeks to manipulate the reader’s response in Hamlet by using contradictions and ambiguities. The article also explores the ways in which the reader responds to these contradictions and reconstructs a palpable world in the impalpable world of the text. These contradictions compel the reader to participate in the composition of the text and make him keep changing his own approach to the work with (...)
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